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Sorry ljudi sto ne pisem nove postove al nemam vremena.Jedan vikend cu stavit sve novo na blog.Stavit cu vise postova......... |
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Sean Paul – nova runda kralja MTV Jamajke Sean Paul se, nakon neočekivano duge pauze, pokušava vratiti na scenu u teškim danima za cenzurirani dancehall. Ima li njegov novi album 'The Trinity' dovoljno safta za prave fanove žanra ili je i Sean Paul posve prodao dušu MTV-ju i tinejdžerskim magazinima? Album je trebao biti vani ovo ljeto. No nije da kasni samo nekoliko mjeseci – obzirom na količinu uspjeha koju je Sean Paul postigao 2002. godine albumom ‘Dutty Rock’, kada je autentični dancehall uvelike zahvaljujući njemu postao pop bez previše odricanja i prilagodbe masovnom ukusu, očekivalo se da će brže-bolje pogurati snimanje novog materijala i utržiti još koju nulu na novonastaloj maniji.Baš kao, recimo, Dizzee Rascal, koji je u godinu dana izbacio dva albuma, svjestan da brzopotezni desant autentičnog britanskog undergrounda zvanog grime u mainstream neće trajati vječno.Grime je u međuvremenu sve češće počeo zvučati kao američki hip hop, a dancehall... S jedne ga je strane zadesila ista sudbina, no s druge ga je ubio nagli protu-val, pravi tsunami podignut od aktivista za ljudska prava koji su (posve razumljivo) u velikom dijelu opusa istaknutih dancehall njuški pronašli govor mržnje kakav je jednostavno nedopustiv za promociju na radiju i televiziji.Nije pomoglo ni to što je Sean Paul najmanje kriv za to, kao dobri klinac iz centra koji se nikad nije hvalio ispucavanjem rafala u glavu osoba drugačije spolne orijentacije, kao ni to što se po hrvatskim tinejdžerskim magazinima nalazio na vrhu liste najpoželjnijih mužjačkih popstarova godine, uz bok Rafi i drugim zvijezdama zaboravljene Storysupernove. Klima za dancehall u 2003. jednostavno nije bila povoljna – Beenie Man više nije mogao nastupiti u Britaniji, Puma je raskinula ugovor s Elephant Manom i scena se vratila tamo odakle je otišla, jamajkanskoj ulici. Iako, nažalost, nije vratila i zvuk, pa je velika količina riddima u posljednjih godinu dana izgubila oštricu i uporno se pokušavala dodvoriti američkom hip hop/R&B mainstreamu.Što se, nažalost, sad, kada se situacija malo stišala, može reći i za poveći dio njegova neizostavnog, iako još ne znamo koliko uspješnog povratka.Za one koji su 2002. godinu proveli u Afganistanu, podsjetnik da je Sean Paul upravo tada konačno keširao trud koji ulaže još od 1996. godine, kada se prvi put ozbiljnije latio mikrofona u Kingstonu.Rođen kao Sean Paul Henriques 8. siječnja 1973, današnji kralj pop dancehalla bio je klinac iz ugledne obitelji St. Andrewa, odgajan od strane majke slikarice. Isticao se u sportskim aktivnostima, ne bi li kasnije postao i član nacionalnog vaterpolo tima!Obrazovan i načitan, mogao je birati koji god unosni uredski posao želi, ali ljubav prema dancehallu bila je jača – vježbao je svoje rime i svoj način tostanja po uzoru na velikog idola Super Cata, ne bi li se 1993. povezao s članovima poznatog benda Third World i stekao prve ozbiljnije kontakte za ulazak u biznis.Prvi singl ‘Baby Girl’ objavljuje 1996. godine, nakon čega slijedi čitav niz velikih jamajčanskih hitova kao što su ‘Nah Get No Bly (One More Try)’, ‘Deport Them’, ‘Excite Me’, ‘Infiltrate’ i ‘Hackle Mi’.No kada je 1999. s kolegom Mr. Vegasom i američkim reperom DMX-om snimio ‘Here Comes The Boom’, pjesmu za soundtrack hip hop filma ‘Belly’, otvorena su posve nova i puno veća vrata mogućnosti. Iste godine kroz njih je prošao trijumfalno s ‘Hot Gal Today’, svojim prvim top 10 hitom na Billboardovoj rap ljestvici, pa godinu dana kasnije nastupa na velikom hip hop festivalu Summer Jam u New Yorku.Dva nagrađivana i suludo dobro prodavana solo albuma kasnije, s naglaskom na ‘Dutty Rock’ i svima poznate hitove ‘Gimme The Light’, ‘Like Glue’, ‘Get Busy’, ‘I’m Still In Love With You’ (bez kojih nije bilo nijednog poštenog plesa na ljeto 2002. godine) i Sean Paul se vraća.‘Otada sam održao samo jedan novogodišnji koncert u Etiopiji. I onda sam se zatvorio u studio. Šest milijuna ljudi me prihvatilo – jednostavno sam morao biti siguran da će to učiniti ponovno’, kaže on danas, dodavši kako je svjestan kako je upravo postao sinonimom za dancehall. ‘Svi čekaju moj album. Osjećam pritisak’, požalio se koji mjesec prije objavljivanja.S takvim pritiskom i očekivanja su bila velika, no kakvi su rezultati?‘The Trinity’, nakon toliko čekanja, poliranja i surađivanja s najuglednijim jamajčanskim producentima, dolazi kao naklon ‘svetom trojstvu dancehalla, hip hopa i reggaea’. Iako je materijal oscilirajući i ne pretjerano loš, nikada ne doseže vatrenu, basom natopljenu zabavu prethodna dva uratka, prečesto svodeći recept na kenjkave i prenakićene synthove te u rezultatu ne pretjerano moćne ritmove, koji zvuče razvodnjeno i prilagođeno mainstream radiju.Ali opet, to najbolje ilustrira riddim scenu u posljednjih godinu dana dancehall krize.Nije bed to što je ‘The Trinity’, kako sam autor kaže, manje plesan i 'mračniji' album od prethodnog, nastao pod utjecajem ubojstva frenda i razmišljanjima o problemima u svijetu, već o tome što prečesto zvuči kao plesni album na koji se ne može plesati.Unatoč tome što ima puno pjesama koje su tragični višak (uključujući i ‘Connection’ s Nina Sky – dobra ideja, mlitava realizacija, ali garantira eksploziju na danceflooru), cjelina nije za baciti – najavni singl, još jedna oda pušenju cannabisa ‘We Be Burnin’ možda i nije slatkiš na koji se čekalo, ali ‘Ever Blazin’ je simpatični 80’s cheese, ‘Head To Toe’ dobra stara bomba, ‘Give It Up To Me’ jedan od onih hitova koje možete zviždati, ‘Straight Up’ desert za sve ovisnike o Coolie Danceu, ‘Yardie Bone’ s Wayneom Marshallom pravi je reggae dijamant, kao i odlična ‘Never Gonna Be The Same’.Neloš album, dakle, ali ‘neloš’ nije isto što i briljantan. A od Seana Paula ne očekujem išta manje od toga! |
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Hip Hop Party Dana 24.9.2005 održat će se Hip Hop Party u Disco Clubu SATURN (Jastrebarsko) s početkom u 20 ili 21 h. Ulaz se naplaćuje nešto sitno. Nastupaju D.R.C.,Kuky,Suicide. DJ-evi su DJ Chill i DJ Uragan. Svi koji su zainteresirani dođite. |
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Artist: N.W.A. Album: Straight Outta Compton Song: Straight Outta Compton You are now about to witness the strength of street knowledge Verse One: Ice Cube Straight outta Compton, crazy motherfucker named Ice Cube From the gang called Niggaz With Attitudes When I'm called off, I got a sawed off Squeeze the trigger, and bodies are hauled off You too, boy, if ya fuck with me The police are gonna hafta come and get me Off yo ass, that's how I'm goin out For the punk motherfuckers that's showin out Niggaz start to mumble, they wanna rumble Mix em and cook em in a pot like gumbo Goin off on a motherfucker like that with a gat that's pointed at yo ass So give it up smooth Ain't no tellin when I'm down for a jack move Here's a murder rap to keep yo dancin with a crime record like Charles Manson AK-47 is the tool Don't make me act the motherfuckin fool Me you can go toe to toe, no maybe I'm knockin niggaz out tha box, daily yo weekly, monthly and yearly until them dumb motherfuckers see clearly that I'm down with the capital C-P-T Boy you can't fuck with me So when I'm in your neighborhood, you better duck Coz Ice Cube is crazy as fuck As I leave, believe I'm stompin but when I come back, boy, I'm comin straight outta Compton Chorus: [City of Compton, City of Compton] [Eazy E] Yo Ren [MC Ren] Whassup? [Eazy E] Tell em where you from! Verse Two: MC Ren Straight outta Compton, another crazy ass nigga More punks I smoke, yo, my rep gets bigger I'm a bad motherfucker and you know this But the pussy ass niggaz don't show this But I don't give a fuck, I'ma make my snaps If not from the records, from jackin the crops Just like burglary, the definition is 'jackin' And when illegally armed it's called 'packin' Shoot a motherfucker in a minute I find a good piece o' pussy, I go up in it So if you're at a show in the front row I'm a call you a bitch or dirty-ass ho You'll probably get mad like a bitch is supposed to But that shows me, slut, you're composed to a crazy muthafucker from tha street Attitude legit cause I'm tearin up shit MC Ren controls the automatic For any dumb muthafucker that starts static Not the right hand cause I'm the hand itself every time I pull a AK off the shelf The security is maximum and that's a law R-E-N spells Ren but I'm raw See, coz I'm the motherfuckin villain The definition is clear, you're the witness of a killin that's takin place without a clue And once you're on the scope, your ass is through Look, you might take it as a trip but a nigga like Ren is on a gangsta tip Straight outta Compton... Chorus: [City of Compton, City of Compton] [Dr. Dre] Eazy is his name and the boy is comin... Verse Three: Eazy-E ...straight outta Compton is a brotha that'll smother yo' mother and make ya sister think I love her Dangerous motherfucker raises hell And if I ever get caught I make bail See, I don't give a fuck, that's the problem I see a motherfuckin cop I don't dodge him But I'm smart, lay low, creep a while And when I see a punk pass, I smile To me it's kinda funny, the attitude showin a nigga drivin but don't know where the fuck he's going, just rollin lookin for the one they call Eazy But here's a flash, they never seize me Ruthless! Never seen like a shadow in the dark except when I unload, see I'll get over the hesitation and hear the scream of the one who got the last penetration Give a little gust of wind and I'm jettin But leave a memory no one'll be forgettin So what about the bitch who got shot? Fuck her! You think I give a damn about a bitch? I ain't a sucker! This is the autobiography of the E, and if you ever fuck with me You'll get taken by a stupid dope brotha who will smother word to the motherfucker, straight outta Compton Chorus: [City of Compton, City of Compton] [Damn that shit was dope!] |
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Artist: Tony Yayo f/ 50 Cent Song: So Seductive Aww nigga do you know what this is 1 shot, 1 kill, whats the deal G-UNIT! (HERE WE GO NOW!) [Verse 1- Tony Yayo] Aww nigga do you know who you wit It's tony yayo up in this bitch got them german lugers wit them hollow tips 2 shot rugers wit them extra clips [Verse 2- 50 Cent] 50 cent, back on that gangsta shit on my way, OT to flip them bricks in that big, body benz you know its a 6 got your bitch on my dick I stack them chips and I'm flash my jewels are sick from a block away you can see the kid don't front, muthafucka you know my style I don't go nowhere without my .40 cal on the low, shawty got a thang for the kid and ya know, I'm finna take her back to the crib here we go, imma show her how a playa live at the door, I tell her take her clothes off...shiiit [Chorus, 1x 50 cent, 1x tony yayo] Shorty so seductive dancing on me The way that she move is making me horny If I wake up next to her in the morning I'ma turn her over and tell her lets do it again [Verse 3- Tony Yayo] I put the g in g-unit baby I got game any more good to go and I dunno your name is it the wheels on the hot car meals from the shot bar or you just wanna quickie with a rap star ladies tell the truth, you know I'm cute but what really turns you on is the rims on my coupe before you jump in my whip and you get dropped off going to the tele and your getting popped off I can't stop thinking of the things you do when you freakin me and I'm freaking you I said the ice on my neck make the shorties stick baby let me fly you in my whip stop, slow down baby if you hear this in the club shake it go down baby It's past my curfew but parole don't know tear up the club, don't call my PO [Chorus, 1x 50 cent, 1x tony yayo] Shorty so seductive dancing on me The way that she move is making me horny If I wake up next to her in the morning I'ma turn her over and tell her lets do it again [Verse 4- Tony Yayo] my waves keep spinning, my charm get major women you know them black and them white and them asian women lets cut the small talk, you know why I wrote you I can't stand with a dime thats anti-social gucci lip gloss, luios vuitton, and them boots from beneto vinetto cost her arm yayos a don, my car european you got mirrors in your pants cause I see me in them listen, I piss out cris, inhale haze in the mary eye gear laid all day tattos, and piercings and rings in your tongue shorty things like that will make my black ass comfortable I need groupie love, the coupe on dubs I'm in this club with a tre pound snub don't blame it on david I'm all iced out 50 got me rich so the bars priced out [Chorus, 1x 50 cent, 1x tony yayo] Shorty so seductive dancing on me The way that she move is making me horny If I wake up next to her in the morning I'ma turn her over and tell her lets do it again |
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Hip Hop Party Dana 24.9.2005 održat će se Hip Hop Party u Disco Clubu SATURN (Jastrebarsko) s početkom u 20 ili 21 h. Ulaz se naplaćuje nešto sitno. Nastupaju D.R.C.,Kuky,Suicide. DJ-evi su DJ Chill i DJ Uragan. Svi koji su zainteresirani dođite. |
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Artist: The Game f/ 50 Cent Song: How We Do [Hook - 50 Cent] This is how we do We make a move and act a fool while we up in the club This is how we do Nobody do it like we do it so show us some love This is how we do We make a move and act a fool while we up in the club This is how we do Nobody do it like we do it so show us some love [Verse I - Game] Fresh like, unhh; Impala, unnh Crome hyrdolics, 808 drums You don't want, none Nigga betta, run When beef is on, I'll pop that, drum Come get, some Pistol grip, pump If a nigga step on my white Air, Ones Since red, rum Ready here I, come Compton, unh Dre found me in the, slums Sellin that skunk, one hand on my gun I was sellin rocks when Master P was sayin "Unnnh" Buck pass the blunt These G-Unit girls just wanna have, fun Coke and rum Got weed on the ton I'm bangin with my hand up her dress like, unh I'll make her cum, purple haze in my lungs Whole gang in the front in case a nigga wanna, stunt [Verse II - 50 Cent] I put Lamborghini doors on that Es-co-lade Lil pro so look like I'm riding on blades In one year mang, a nigga's so paid I have a straight bitch in the telly goin both ways (Ah!) Touch me, tease me, kiss me, please me I give it to ya just how you like it, girl You know I'm rockin with the best tre pound on my hip Teflon on my chest They say I'm no good Cuz I'm so hood Rich folks do not want me around Cuz shit might pop off, and if shit pop off Somebody gon' get laid the fuck out They call me new money, say I have no class I'm from the bottom, I came up too fast The hell if I care, I'm just here to get my cash Bougie ass bitches, you can kiss my ass [Hook] [Verse III - Game] I put gold Daytonas on that Cherry Six-Four White walls so clean it's like I'm ridin on bulbs Hit one switch mang, that ass so low Cali got niggaz in New York ridin on hundred spokes Touch me, tease me, kiss me, please me I give it to ya just how you like it, girl You know I'm rockin with the best fo' pound on my hip Gold chain on my chest (Ah!) [Verse IV - Game and 50 Cent] [50 Cent] 50, unh Bentley, unh Em came 'n gotta nigga fresh out the, slum Automatic, gun Fuck 'em one-on-one We wrap up ya punk ass, stunt 'n ya done Homie, it's Game time [Game] You ready? Here I come Call Lloyd Banks and get this motherfucker, crunk It took two, months But Fifty got it done Signed with G-unit Had niggaz like, "huh?" Don't try to front I'll leave yo' ass, slumped Thinkin I'm a punk Get your fuckin head, lumped Fifty got a, gun [50 Cent] Ready here he come Gotta sick, vendetta To get this, chedda Meet my Ba, Retta The dra-ma, setta Sip Am-a, retta My flow sounds, betta Than average On tracks I'm a savage I damage Any nigga tryin' to front on my clique (G-Unit!) |
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Artist: The Game f/ 50 Cent Album: The Documentary Song: Hate it or Love It [50 Cent] Yeah, let's take 'em back Uh-huh.. Comin up I was confused, my mommy kissin a girl Confusion occurs comin up in the cold world Daddy ain't around, probably out commitin felonies My favorite rapper used to sing, "Check check out +My Melody+" I wanna live good, so shit I sell dope Four-four finger ring, one of them gold ropes Lana told me if I passed I'd get a sheepskin coat If I can move a few packs I'd get the hat, now that'd be dope Tossed and turned in my sleep that night Woke up the next mornin, niggaz had stole my bike Different day, same shit, ain't nuttin good in the hood I'd run away from this bitch and never come back if I could [Chorus 2X: 50 Cent] + (The Game) Hate it or love it, the underdog's on top And I'm gon' shine homey until my heart stop (Go 'head envy me, I'm rap's M.V.P.) (And I ain't goin nowhere, so you can get to know me) [The Game] G-G-G-G-G-Unit, on the grill of my lowrider Guns on both sides, right above the gold wires I'll fo'-five 'em, kill a nigga on my song and really do it, that's the true meanin of a ghostwriter Ten G'sll take your daughter out her Air Forces Believe you me homey, I know all about losses I'm from Compton, where the wrong colors be cautious One phone call'll have your body dumped in marshes I stay strapped like car seats, been bangin since my lil' nigga Rob got killed for his Barkleys That's ten years, I told Pooh in ninety-five I'll kill you if you try me for my Air Max 95's Told Banks when I met him I'ma ride and if I gotta die, I'd rather a homicide I ain't have 50 Cent when my grandmama died Now I'm goin back to Cali with my Jacob on See how time fly? [Chorus] [50 Cent] From the beginnin to the end, losers lose When it's win this is real we ain't got to pretend The cold world that we in, is full of pressure and pain Enough of me nigga now listen to Game [The Game] Used to see five-oh, throw the crack by the bench Now I'm fuckin with 5-0 it's all startin to make sense My moms happy, she ain't gotta pay the rent And she got a red bow on that brand new Benz Waitin on shop money to lamp, sittin in the Range Thinkin how they spent 30 million dollars on airplanes when there's kids starvin 'Pac is gone and Brenda still throwin babies in the garbage I wanna know "What's Goin' On" like I hear Marvin No schoolbooks, they used that wood to build coffins Whenever I'm in the booth and I get exhausted I think what if Marie Bank had got that abortion? I love you ma [Chorus] |
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Artist: Terror Squad Album: True Story Song: Lean Back [Intro: Fat Joe] Owwwwww!!!! yeah! my niggaz!!! uh huh!!! Throw your hands in the air right now man!!! Feel this shit right here! Scott Storch nigga! Yeah Khalid I see you nigga!!! Show Big Pun love! Uh! Yeah! Uh! Yo! [Verse 1: Fat Joe] I don't give a fuck about your faults or mishappens nigga We from the Bronx, New York, shit happens Kids clappin, love to spark the place Half the niggaz in the squad got a scar on their face It's a cold world and this is ice Half a mill for the charm, nigga this is life Got the Phantom in front of the buildin, Trinity Ave Ten years been legit, they still figure me bad As a young'n - was too much to cope with Why you think – mu'fuckers nicknamed me Cook Coke shit Shoulda been called Armed Robbery Extortion, or maybe Grand Larceny I did it all, I put the pieces to the puzzle Just as long, I knew me and my peoples was 'gon bubble Came out the gate on some Flow Joe shit Fat nigga with the shotty was the logo kid! [Chorus: Fat Joe] Said my niggaz don't dance we just pull up our pants And do the rockaway, now lean back, lean back, lean back, lean back I said my niggaz don't dance we just pull up our pants And do the rockaway, now lean back, lean back, lean back, lean back (Come on!) [Verse 2: Remy Martin] R to the Ezzy, M to the Yzzy My arms stay breezy, the Don stay flizzy Got a date at 8, I'm in the 7-4-fizzive And I just bought a bike so I can ride till I die With a matchin jacket, 'bout to cop me a mansion My niggaz in the club, but you know they not dancin We gangsta, and gangstas don't dance with boogies So never mind how we got in here with burners and hoodies Listen we don't pay admission and the bouncers don't check us And we - walk around the metal detectors And there really ain't a need for a VIP section In the middle of the dance floor reckless, check it Said he - liked my necklace, started relaxin Now that's what the fuck I call a chain reaction See "Money Ain't a Thing" nigga, we still the same niggaz Flows just changed now we bout to change the game nigga [Chorus: Fat Joe] Said my niggaz don't dance we just pull up our pants And do the rockaway, now lean back, lean back, lean back, lean back I said my niggaz don't dance we just pull up our pants And do the rockaway, now lean back, lean back, lean back, lean back (Come on!) [Verse 3: Fat Joe] Now we living better now, Coogi sweater now And that G4 can fly through any weather now See, niggaz get tight when you worth some millions This is why I sport the chinchilla to hurt they feelings You can find Joe Crack at all type of shit Out in Vegas front row to all the fights and shit If 5-0 boy come, then they'd proudly squeal Cause half these rappers they +Blow+ like Derek Foreal If you cross the line, damn right I'm 'gon hurt ya These faggot niggaz even made gang signs commercial Even Lil' Bow Wow throwin it up B2K crip walkin like that's what's up! Kay keep tellin me to speak about the Rucker Matter of fact, I don't wanna speak about the Rucker Not even Pee Wee Kirkland could imagine this My niggaz didn't have to play to win the championship, come on! [Chorus: Fat Joe] Niggaz don't dance we just pull up our pants And do the rockaway, now lean back, lean back, lean back, lean back I said my niggaz don't dance we just pull up our pants And do the rockaway, now lean back, lean back, lean back, lean back (Come on!) [Outro: Fat Joe] Ha! ha! yeah! (Can you hear me?!) Bronx, BX borough, Terror Squad, uh (Ha!) Big Pun forever, Tone Montana forever (Can you hear me?!) Uh! Yeah! Streets is ours, come on!!! Nah man, it ain't never gon stop Search!!! Raul!!! JB, Fat Ant come on!!! Uh!! |
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Artist: Eminem f/ 50 Cent, Dr. Dre Album: Encore Song: Encore [50] Sh-sh-sh-SHA-DY! Aftermath [Em] Ha ha, G-G-G-G, G-Unit! [50] Ha ha! (Ha ha) [Chorus: 50 + Eminem] Cause we came here to set this party off right Let's bounce toniiiiiight And if they don't let us in through the front do' Come through the siiiiiide Cause I don't wanna ever leave the game without at least saying goodbyyyyyye So all my people on the left, all my people on the right scream one last tiiiiiime [Eminem] Get your ass up for the Doctor, one more time Get your ass up for the Doctor, c'mon now! Here we go, cliffhanger, it's another club banger Got you hangin on the edge of your seat, get on down [Dr. Dre] Time's up, game's over, you lose, I win Bout to show these knuckleheads how to do this here Ooh yeah, new year, next phase begin Look who's got you goin crazy again I'ma trend, I set one every time I'm in I go out and just come back full circle again You a fad, that means you somethin that we already had But once you're gone you don't come back [Eminem] Too bad, you're off the map now, radar can't even find you We stay on the grind you slip, we out-grind you You walk around mad you let your anger blind you We walk around just playin the violin behind you Enough with all the pissin and moanin, whinin and bitchin Sit and observe, listen you'll learn if you pay attention Why I send multi-platinum albums, later three diamond Worldwide, we on the charts with a bullet, and still climbin [Chorus] [Em] When Dr. Dre says crunk, you will get it crunk! [Dr] Get it crunk (CRUNK, CRUNK, CRUNK) [Em] And when 50 Cent says jump, you get on one foot and [50] Jump (JUMP, JUMP, JUMP) [Dr. Dre] The buzz is tremendous, we drop you artists censored I don't gotta promote it, for you to know that Doc is off the benches [Eminem] We keep the party rockin off the hinges We ain't showin off, we're just goin off, popular contentions [Dr. Dre] But critics say that Doc is soft, Doc is talk, Doc is all washed up, knock it off, who the fuck is Doc impressin? Doctor's this, Doctor's that, you got the wrong impression You must be on the cock of Doc, cause Doc left you all guessin So DJ take the needle and just drop it on the record {*crackle*} WHAT? We gon' have this motherfucker hoppin in a second (PUMP PUMP) That's why we always save the best cut last to make you scratch and itch for it like fresh cut grass [Eminem] Cause we done swam with the sharks, wrestled with alligators Spoke to a generation of angry teenagers whom if it wasn't for rap to bridge the gap maybe raised to be racist Who may have never got to see our faces Graced the cover of Rolling Stone pages, broke down barriers of language and races, just call on the caped crusaders and leave it to me and Dre to pass the mic and we can play the back and forth all day like the hot potato game that's why we came to [Chorus] [Eminem] 50 Cent, c'mon! [50 Cent] Bounce now, hands up, you know how we do We make the club jump, everywhere we go It's no secret, everybody know When Dre's involved, there's plenty money involved [Dr. Dre] And plenty honies involved, the sunny Sundays and palm trees Cali, every day is just another party from the valleys All the way to them 8 Mile alleys, let's rally [Eminem] Hands up for the grand finale Now raise up out your seat, Dre's about to speak Blaze a pound of weed six days up out the week [Dr. Dre] You can catch me in the studio, bangin out the beats to provide you with the heat that keep blazin out your speaker [Eminem] So never say never cause Shady/Aftermath together along with G-Unit Records, presents the return of The, The Doc (and Shady) no one can do it better We tear the club up and leave without a shred of evidence that uh [Chorus] [Eminem] Yeah! Ha ha Still Aftermath, 2006 And don't worry bout that "Detox" album, it's comin We gon' make Dre do it (ha ha) 50 Cent, G-Unit Obie Trice, D-Twizy, Stat Quo, Dr. Dre, we ain't leavin Let's go! Ha ha Ladies and gentlemen Thank you all for comin out PEACE! {*crowd cheers to fade and chants "Em-i-nem*} [Eminem] Oh shit, I almost forgot, you're comin with me! {*gunshots*} [Eminem] {*laughing*} {*scream*} [Eminem] {*laughing*} Bye bye! |
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Artist: Cypress Hill f/ Eminem, Noreaga Album: Skull & Bones Song: Rap Superstar (Eminem Speaking) Most people don't see how much work is really involved in this rap shit I didn't know it I didn't see it I never saw it until i was actually in it You really gotta be in it To understand what its like But you always gotta People always gotta see your smile You always gotta put on that fake You know what i'm sayin No matter what u just been through (B-Real) So you wanna be a rap superstar And live large a big house 5 cars, you're in charge Comin up in the world Don't trust nobody Gotta look over your shoulder constantly (B-Real) I remember the days when i was a young kid growin up Lookin in the mirror dreamin about blowin up To rock crowds make money Chill wit the honies Sign autographs and whatever the people want from me Shits funny How impossible cream manifest in the games that be comin with it Never the less you gotta go for the gusto But you don't know about the blood sweat and tears and losin some of your peers And losin some of your self Music has past gone by Hopefully you don't manifest for the wrong guy Egomaniac in the brainiac Don't know how to act Shits deep 48 tracks Studio gangsta mack Sign a deal emcees wanna make a mill But never will Till he crosses over still Feelin no hate But fantasies come wit these Just to sacrifice the taste of makin cheese You wanna be a rap superstar in the biz And take shit from people who don't know what it is I wish it was all fun and games But the price of fame is high And some can't pay to play Trapped in what you rappin about Tell me what happened when you lost clout The rout you took started collapsing No fans No fame No respect No change No women And everyone shits on your name (Chorus) So you wanna be a rap superstar And live large A big house 5 cars The rent charged Comin up in the world don't trust nobody Gotta look over your shoulder constantly To be a rap superstar And live large A big house 5 cars The rent charged Comin up in the world don't trust nobody Gotta look over your shoulder constantly (Noreaga Speaking) When you sign to a record label You don't know you sign your life over And these whiteboys don't care about you Cuz the minute you fall off They'll find another Noreaga And they'll find another Capone-n-Noreaga And they'll find another B-Real So you need to just keep Stack your chips up Do what you gotta do while your hot And mafuckin get out the game Stick to the drug game And the drug game is even worse Because if someone jerks you You can shoot em and kill me But in this game if someone jerks you You gotta be humble (Eminem Speaking) No matter what you just been through Shit has gotta be right You gotta approach people You gotta be on the up and up And everything gotta be all good When you see someone slap hands with em You know what i'm sayin give em a pound Or whatever it is But you always gotta act like it ain't shit (Chorus) (B-Real) My own son don't know me Sittin up in the hotel room lonley But I thank god I'm wit my homies But sometimes I wish I was back home But only no radio or videos Cuz they show me no love The phony gotta hit the road slowly So the record gets pushed by sony I'm in the middle like monie And the press say that My own people disowned me And the best way back Is to keep your head straight Never inflate the cranium Your crew worried about them honies at the paladium Who just wanna cling on swing on And so on and go on and fall off The hoes fall off To the next rap superstar Wit no shame give him a year And they'll be right out the game The same as the last one Who came before him Gained fame Started gettin ignored I warned him Assured him This ain't easy take it from weezy Sleezy people wanna be cheesey They talkin evil (Chorus) |
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Artist: Ciara f/ Missy Elliott Album: Goodies Song: 1, 2 Step [Jazze Pha] Ladies and Gentlemen this is a Jazze Phizzle Productshizzle "Missy" The princess is here "Ciara" [verse 1] This beat is automatic, supersonic, hypnotic, funky fresh Work my body, so melodic, this beat rolls through my chest everbody, ma, and papi, came to party grab somebody, work ya body, work ya body let me see you 1, 2 step [Chorus] Rock it, don't stop it Everybody get on the floor Crank the party up We about to get it on Let me see you 1, 2 step I love it when you 1, 2 step Everybody 1, 2 step We about to get it on [Verse 2] This beat is Outrageous, so contagious, make you crave it Jazze made it So retarded, top charted, ever since the day I started Strut my stuff and yes I flaunt it Goodies make the boys jump on it No I can't control myself Now let me do my 1, 2 step [Chorus] We gon drop it like this [Hook - 2X] It don't matter to me, we can dance slow Whichever way the beat drops our bodies will flow So swing it over here Mr. DJ And we will, we will rock you [Missy] I shake it like Jello, make the boys say hello Cause they know I'm rockin the beat I know you heard about alot of MC's But they ain't got nothing on me Beacuse I'm 5 foot 2, I wanna dance with you And I'm sophisticated fun, I eat filet mignon I'm nice and young, best believe I'm number one [Chorus] This is for the hearing impared A Jazze Pha Production |
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Artist: Ciara f/ Ludacris Album: Goodies Song: Oh [Ciara] This is where they stay crunk, throw it up, dubs on the Cadillac White tees, Nikes, gangstas don't know how to act Adamsville, Bankhead, College Park, Carver Homes Hummers floatin on chrome Chokin' on that home-grown They got that southern cookin' They got them fellas lookin' Thinkin' I was easy I can see it That's when I say no, what fo'? Shawty can't handle this Ciara got that fire like [Hook] Oh, 'round here we ridin' slow We keep it gutta, you should know Gettin' crunk off in the club we gets low, oh Oh (oh), all my ladies to the flo' Handle it ladies back it up Gettin crunk up in the club we gets low, oh [Ciara] Buddy take a new whip, paint strip, bowlin' ball Still smoke unemsmote(?), wood-grain on the wall Light-skinned thick chicks, fellas call 'em redbones Close cuts, braids, long, gangstas love 'em all They got that southern cookin' They got them fellas lookin' Wishin' I was easy I can see it That's when I say no, what fo'? Shawty can't handle this Ciara got that fire like [Hook] Oh, 'round here we ridin' slow We keep it gutta, you should know Gettin' crunk off in the club we gets low, oh Oh (oh), all my ladies to the flo' Handle it ladies back it up Gettin crunk up in the club we gets low, oh [Ludacris] Southern-style, get wild, old skools comin' down in a different color whip (whip, whip) Picture perfect, you might wanna take a flick flick flick flick flick Call up Jazze tell him pop up the bottles cuz we got another hit (hit, hit) Wanna go platinum? Im who you should get get get get get Ludacris on the track, get back trick, switch on the 'Lac, Im flexin still Same price every time, hot song, jumped on cuz Ciara got sex appeal And I keep the meanest, cleanest, baddest, spinnin on stainless wheels Could care less about your genus, I bump ya status, I keep the stainless steel Trunk-rattlin' what's happenin', huh? I don't even think I need to speed Bass-travelin', face-crackilin' huh? Turn it up and make the speakers bleed Dirty south we ballin' dawg And neva think about fallin dawg Ghetto harmonizing, surprising, runnin back cuz the song is called [Hook] (2x) Oh, 'round here we ridin' slow We keep it gutta, you should know Gettin' crunk off in the club we gets low, oh Oh (oh), all my ladies to the flo' Handle it ladies back it up Gettin crunk up in the club we gets low, oh |
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Dana 24.9.2005 održat će se Hip Hop Party u Disco Clubu SATURN (Jastrebarsko) s početkom u 20 ili 21 h. Ulaz se naplaćuje nešto sitno. Nastupaju D.R.C.,Kuky,Suicide. DJ-evi su DJ Chill i DJ Uragan. Svi koji su zainteresirani dođite. |
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U zadnjem dijelu hip hop povijesti nalazimo se u polovici 90. godina.Nakon tragičnih smrti 2 Paca i Notorious B.I.G-ja, američki rapperi su smirili ratoborne duhove na relaciji Istok - Zapad. Opet je u điru jedinstvo i mir (koliko je to moguće u jednoj kulturi čiji korijeni vuku iz siromašnih geta) i snimaju se pjesme koje pozivaju na jedinstvo hip-hop zajednice.Napokon dolazi i vrijeme kad ovaj glazbeni pravac postaje popularan i u ostatku svijeta, ne više samo u SAD-u. Sjećamo se 1996. godine i Cooliove pjesme "Gangsta's Paradise". Koliko god se mnogima (uključujući i mene) ta pjesma ne sviđala, ostaje činjenica da je ona napravila najviše za popolarizaciju hip-hopa u Europi. Stvar je postala najprodavaniji i najpuštaniji single godine, a nakon Coolija slijedili su i Fugees (Wyclef, Praz i L-Boogie, danas poznata kao Lauryn Hill), koji su sa svojim drugim albumom "The Score" premašili sve rekorde u povijesti rapa. Stvar je postala jasna, hip-hop ulazi u Europu na velika vrata. Počela se razvijati scena u Njemačkoj, Francuskoj i ostalim europskim državama. Napokon su ljudi shvatili da se kroz rap može izražavati na svim jezicima, a ne samo na engleskom. Ta spoznaja je bila ključna za prelazak granica i razbijanje predrasuda o Hip-Hopu kao isključivo crnačkoj kulturi.Godinu dana kasnije, grupa Wu-Tang Clan snima drugi (dvostruki) album "Forever", koji odmah po izlasku skače na 1. mjesto britanske (?!) top-liste. Hitovi su se samo redali i rapperi napokon počinju zarađivati kao i ostale velike glazbene zvijezde. Sjetimo se, recimo, Jay-Z-jeve pjesme "Hard Knock Life", koja se mjesecima nije micala s MTV-ja, a to je bilo još prije 5 godina.1999. godine Dr. Dre upoznaje Eminema, poziva ga u svoj studio i stvorena je nova mega zvijezda. Eminem snima prvi album "The Slim Shady LP" za Dreovu izdavačku kuću The Aftermath i postaje miljenik klinaca širom svijeta, prvenstveno zahvaljujući hitu "My Name Is". Godinu dana kasnije, Eminem drugim albumom "The Marshall Mathers LP" dokazuje da nije "one hit wonder", nego da se na njega mora računati i na duge staze i usput kupi sve moguće glazbene nagrade, od Grammyja do MTV-ja.2000. godine grupa Outkast iz Atlante nakon 3 odlična albuma, postaje svjetski slavna tek na četvrtom, i to zahvaljujući pjesmi "Ms. Jackson". U to vrijeme, poznati rapperi otvaraju svoje izdavačke kuće, stvaraju svoje brandove odjeće i obuće, bacaju se u filmsku industriju, i tp ne samo kao glumci, već i redatelji.Usprkos globalizaciji i komercijalizaciji hip-hopa, još uvijek ima dosta talentiranih MC-ja i DJ-a kojima slava i novčana zarada nisu najvažniji pri umjetničkom stvaranju. Na prijelazu stoljeća, veliku je ulogu odigrala newyorška izdavačka kuća Rawkus, okupivši mlade talente kao što su Talib Kweli, Mos Def, Pharaohe Monch i Hi-Tek. Prvi važni album tog "revolutionary" stila u hip-hopu bio je onaj grupe Black Star, koju su činili Mos Def i Talib Kweli. Međutim, glavna stvar bio je 2000. godine album "Train of Thought" grupe Reflection Eternal (Talib Kweli i DJ Hi-Tek), što je meni osobno jedan od najkvalitetnijih hip-hop albuma uopće. Glazba je lagana i vrlo slušljiva, a Talib rastura svojim verbalnim sposobnostima i pozitivnim rimama.Osim New Yorka, i na zapadnoj obali niču kvalitetne hip-hop grupe, koje bismo uvjetno mogli svrstati pod underground scenu (naime, hip-hop se u zadnje vrijeme striktno podijelio na "komercijalu" i "underground" - takve podjele nisu dobrodošle, ali ponekad ih je teško zaobići), kao npr. u LA-u Dilated Peoples i Jurassic 5 ili u Oaklandu odlični Hieroglyphics.Danas je rap postao najpopularniji glazbeni stil u svijetu i u kombinaciji sa srodnim urbanim vrstama (R&B i dancehall) osvaja sve glavne pozicije svjetskih top-lista, puni radio i TV eter, i to na svim jezicima i u svim krajevima svijeta. Nakon 25 godina službenog postojanja, mislim da se danas može sa sigurnošću reći da je Hip-Hop osvojio svijet. |
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U prvoj polovici 90-ih godina Hip-Hop kultura se proširila po cijelom SAD-u, tako da se glavnina rap scene nije više nalazila samo u New Yorku i L.A-u. U New Jerseyu su počele nicati odlične grupe koje su gajile onaj izvorni b-boy zvuk. Naughty By Nature su se vratili 1993. s odličnim drugim albumom "19 Naughty III", koji pamtimo po hitu "Hip-Hop Hooray". Iste godine u istom gradu pojavili su se Lords Of The Underground, a tu su bili i filozofski (ali ponekad i previše rasistički) raspoloženi Poor Righteous Teachers. 1994. na scenu dolazi Nine, legendarni "bog" undergrounda. I Fugees. Da, malo ljudi zna da je ta grupa postojala i puno prije one famozne obrade "Killing Me Softly".1994. je bila sudbonosna godina i za hip-hop scenu u Atlanti, glavnom gradu Georgije na Jugu SAD-a. Tamo grupa Outkast snima svoj prvi album nazvan "Southernplayalisticadillacmuzik", koji je definirao zvuk i čari južnjačkog rapa: lagana glazba uz plesne beatove, savršena za ljetnu vožnju po gradu. Svi znate kako su Outkast postali svjetski popularni prošlih godina, zahvaljujuci hitovima "Ms. Jackson", "So Fresh, So Clean" i "Whole World", nakon 4 snimljena albuma.U Chicagu je glavnu riječ vodio Common Sense, prvi predstavnik danas vrlo popularnog "revolutionary" stila, koji je kasnije morao zbog pravnih problema skratiti ime, tako da se danas zove samo Common. Njegov drugi album "Resurrection" pokazuje kako dubok rap može biti kada je MC izvrstan liričar.Iz Philadelphije dolazi grupa The Roots, pravi hip-hop band, u kojem svaki član svira instrument (dakle, "ziva" glazba) + MC. Njihov drugi album "Do You Want More?" (1995) je objektivno jedan od najboljih rap albuma ikad snimljenih i žalosno je što Rootsi tek sad uživaju onu slavu i zaradu koju su još davno zaslužili. Danas su oni najveća koncertna hip-hop atrakcija.Glavne su se stvari ipak događale u New Yorku. Kad se govori o povijesti rapa, ne može se zaobići Wu-Tang Clan, pravu malu vojsku koja broji čak 9 jakih MC-ja: Method Man, Ol' Dirty Bastard, RZA, Raekwon, Ghostface Killah, GZA, U-God, Masta Killah i...nikad ih se ne uspijem sjetiti svih. Uglavnom, svaki od njih snima i solo albume. Njihov prvi zajednički album "Enter the Wu-Tang (36 Chembers)" značio je početak tzv. "wu-groznice" koja je dugo vladala među hip-hop publikom, a još uvijek se osjeti, iako su se wu-tangovci pomalo "razvodnili" u zadnjih 5 godina.Nas, mladi i vrlo talentirani MC iz kvarta zvanog Queens Bridge, snima 1994. prvi album "Illmatic", koji ubrzo ulazi među klasike hip-hopa. S tog albuma izdvojio bih pjesmu "NY State of Mind", koja produkcijski (DJ Premier) i liricki savršeno stvara u glavama slušatelja slike newyorskih ulica i kvartova, čak i ako nikad niste bili tamo. Nas je postao planetarno popularan među širom publikom tek nakon drugog albuma "It Was Written" (1996), prvenstveno zbog pjesme "If I Ruled the World", na kojoj mu gostuje Lauryn Hill, tada još članica grupe Fugees. Iz Nasovog kvarta dolazi Mobb Deep, još jedna grupa vrijedna spomena, koja je do danas snimila 5 odličnih albuma, a šesti izlazi uskoro.Tada već dokazani majstori Guru i Premier (zna se - Gang Starr) 1994. godine snimaju 4. album "Hard to Earn", još jedno žestoko izdanje za prave hip-hop glave, a 4 godine poslije se vraćaju dublji nego ikad s još jednim klasikom "Moment of Truth", s kojeg su skinuti singlovi "You Know My Steez", "Royalty" i "The Militia". Guru je, usporedno s radom u grupi Gang Starr, radio i na svom projektu Jazzmatazz, na kojemu je, u suradnji s raznim glazbenicima iz svijeta jazza, R&B-ja, soula i rapa, spajao različite glazbene stilove.Ne može se govoriti o New Yorku sredinom 90-ih, a da se ne spomene The Notorious B.I.G., još poznat kao Biggie, koji je potpisao za Puff Daddyjevu (danas se valjda zove P.Diddy, ak se ne varam) etiketu Bad Boy i snimio prvi album "Ready to Die", nakon kojega ga je newyorška publika zavoljela, a MTV je rado vrtio videospotove za singlove "Juicy", "Big Poppa" i "One More Chance". Biggie se kasnije zakačio sa svojim bivšim kompićem 2 Pacom iz LA-a (ili obrnuto: 2 Pac se zakačio s njim). Uglavnom, rezultat je tužan: 2 Pac ubijen 1996. (počinitelj nepoznat), a i Biggija je bogami ista sudbina zadesila par mjeseci kasnije (počinitelj opet nepoznat). |
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Na prijelazu iz u 80. u 90. godine hip hop je počep biti sve popularniji.Hip-Hop je u to vrijeme postajao sve popularniji i sve se više nametao američkoj javnosti. Iako je rap tada bio žešći nego ikada, sve više mladih, bez obzira na boju kože, počeo se poistovjećivati s ovim glazbenim pravcem, a nastajali su i prvi rap časopisi (legendarni "Word Up!").Dok je u New Yorku vladala revolucionarna politički angažirana struja (Public Enemy, BDP, Big Daddy Kane, Gang Starr...), na suprotnoj strani Amerike, u L.A-u počela se razvijati pošast koju su kritičari kasnije nazvali "gangsta rap". Ice-T je bezazleno krenuo s takvim načinom izražavanja u kojemu ni malo ne bira riječi u svojim pjesmama, već se koristi najsurovijim uličnim žargonom, onakvim kakav koriste američki uličari, najniži sloj društva. On ne samo da govori kao oni, nego se i poistovjećuje s njima.Prava pljuska američkoj javnosti bila je grupa N.W.A. (Niggaz Wit' Attitudez), koju su originalno sačinjavali Ice Cube, Eazy-E, Dr.Dre, MC Ren i DJ Yella. Njihov prvi album "Straight Outta Compton" izašao je 1989. g. i sranja su krenula. Za tadašnje vrijeme, bio je presedan da u CD shopovima širom SAD-a bude CD na kojem je svaka druga riječ "muthafucka", "bitch" ili nesto slično, varijacije na temu. U pjesmama naši junaci bez dlake na jeziku govore o dilerima, prostitutkama, pištoljima i kurvama, ali ne u smislu kao da je to nešto negativno.Mnogi su bogati bijeli Ameri kupovali taj album jer su mislili da će se na taj način solidirati s najnižim slojem, neki su na taj način željeli vidjeti što se događa u siromašnim četvrtima, tamo gdje se oni boje naći i sl. Zbog pjesme "Fuck tha Police" članovi grupe su imali problema čak i s F.B.I-jem. Evo kako Ice Cube započinje pjesmu: "Fuck tha police comin' straight outa underground / A young nigga got it bad 'cause I'm Brown / And not the other color, some police think / They have the authority to kill the minority / Fuck that shit 'cause I ain't the one / Fool and punk muthafucka with a badge and a gun...". Kad su novinari pitali Cubea zašto sebe naziva "nigga" (do tada, to je bio posprdan naziv za Crnca), on je odgovorio da će se nakon njihovih pjesama značenje te riječi promijeniti. Oni žele pokazati da "nigga" nije neki jadan, smotani "crnjo" po kojem će svi gaziti i koji ništa neće moći reći, nego da je to onaj koji više neće trpiti poniženja i koji će od sada svima je*at sve po spisku. To su N.W.A. i uspjeli postići.Novine u Americi bile su pune članaka o lajavim gangsterima iz Comptona (ozloglašena siromašna četvrt u south central L.A-u), da je popularnost "Crnčuga sa stavovima" porasla iznad svih očekivanja. Nakon toga, po L.A-u su počele nicati slične grupe kao gljive poslije kiše i svi su se busali u prsa kako su baš oni iz Comptona. Ali njihovi idoli N.W.A. su se brzo raspali - jer se nisu uspjeli dogovoriti oko podjele para. Članovi grupe krenuli su u svoje (nekima uspješne, nekima baš i ne) solo karijere.Gangsta rap nije pustio svoje korijene samo u L.A-u, nego i u Houstonu, TX. Tamo je krajem 80-ih nastala grupa Geto Boys, koju se u mnogočemu može uspoređivati s N.W.A. Geto Boyse pamtimo po odličnim hitovima "Damn It Feels Good to Be a Gangsta" i "Mind Playin' Tricks on Me". No, danas se mnogi sjećaju te grupe samo po tome što je to bila prva Scarfaceova grupa.Rapperi u New Yorku, međutim, nisu cijenili "gangsta rap", kao ni svoje kolege sa zapadne obale. Čak štoviše, imali su stav da je gangsta rap samoubojstvo mlade Crne populacije. Grupa Public Enemy na četvrtom albumu "Apocalypse 91...The Enemy Strikes Black" iz 1991. g. okreće svoj nišan od bogatih bijelih vlastodržaca prema Crnim gangsterima i ukazuje na to koliko ilegalan način zarade šteti Crnoj zajednici u Americi. Iako je taj album jako dobro prodan (s njega su skinuti hitovi "Can't Truss It", "Nighttrain", "By the Time I Get to Arizona" i "I Don't Wanna Be Called Yo Nigga"), očito je bilo da njihova popularnost opada u odnosu na "gangstere" iz L.A-a.Sad se opet vraćamo zapadnoj obali. Ice Cube je prvi napustio N.W.A. i 1990. g. snimio svoj prvi solo album "AmeriKKKa's Most Wanted" (nisu slučajno 3 velika slova "K" u riječi "AmeriKKKa"), a ostatak ekipe je snimio drugi N.W.A. album "Niggaz4Life" bez njega, ali pokazalo se da je ipak Cube bio glavna karika u lancu i da su bez njega slabi, tako da su se uskoro potpuno raspali. No, ni to nije prošlo kulturno. Slijedila su prepucavanja preko pjesama: prvo su se pljuvali Eazy i Cube, onda Eazy i Dre.Ice Cube je snimio 3 odlična albuma do 1993. g, ali najmaštovitiji je bio Dr.Dre. On je 1992. svojim prvim solo albumom "The Chronic" započeo novi trend, koji je on sam nazvao G-funk. Otkrio je i novu zvijezdu, Snoop Doggy Dogga, koji mu gostuje na albumu. Album se prodao u 3 milijuna primjeraka (hitovi: "Nuthin' but a G-Thang", "Dre Day" i "Let Me Ride". Dvije godine kasnije izlazi dugoocekivani Snoopov album prvijenac "Doggystyle", naravno, u Dreovoj produkciji (stariji se sjećaju pjesama "What's My Name?" i "Gin & Juice". Gangsta rap je službeno mrtav, započela je nova zaraza: G-funk nije slavljenje poroka, već jednostavno opuštanje uz laganu, rolajuću ljetnu mjuzu, žene, cuga & pljuga - to je bila bit te glazbe.Dok je na zapadnoj obali vladala "komercijalna" struja, na Istoku su se rapperi i dalje brinuli da hip-hop ne izgubi svoju bit i vraćali glazbu njenim korijenima. 1991. pojavila se mlada grupa iz New Jerseya, koja je mnogo obećavala. Zovu se Naughty by Nature, a proslavili su se hitovima "O.P.P." i "Ghetto Bastard". Moram spomenuti i još neke newyorske grupe vazne za to vrijeme, kao što su De La Soul i A Tribe Called Quest. 1994. g. Public Enemy opet izlaze na površinu, pokazujući da ih trendovi sa zapadne obale nisu uzdrmali. Njihov peti album "Muse Sick-N-Hour Mess Age" konačni je udarac gangsta rapu. Ali nisu se odrekli ni svojih starih tema, tako da u jednoj pjesmi čak pokopavaju američku zastavu. Nažalost, to je bio zadnji album prije nego su P.E. izgubili svoje značenje i otišli na marginu. |
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Nitko ne zna kad je točno nastala Hip-Hop kultura, ali se zna da je to bilo sredinom 70-ih godina prošlog stoljeća. U crnačkim četvrtima Bronxa, NYC, na ulicama (prvi graffiti), u diskotekama (prvi DJ-ing i breakbeat za b-boying) i u parkovima (MC-ing), mladi su spontano započeli novi pokret koji je kasnije prerastao u globalnu kulturu.U dijelovima New Yorka sa većinskom Crnom populacijom u diskotekama je krajem 70-ih bio popularan funk. DJ-i su shvatili da neki dijelovi pjesama dižu publiku i onda su se dosjetili da bi mogli uzeti dva primjerka iste ploče i najbolji komad iste pjesme puštati opet i opet s 2 gramofona. Na to je došao MC, koji je svako malo bacio neku party rimu preko glazbe, da bi još više podigao atmosferu. Onda su se počele koristiti i ritam mašine i nastao je novi glazbeni pravac.Prvi DJ-i koji su stvarali svoju glazbu samplirajući dijelove iz starijih funky i disco pjesama bili su Afrika Bambaataa i Kool DJ Herc, i njih se danas smatra ne samo začetnicima rapa, nego elektronske glazbe općenito. Prva snimljena rap pjesma koja je čak postala hit u ljeto 1979. g. bila je legendarna "Rappers Delight" grupe The Sugarhill Gang. Nakon toga počeo je snimati i Grandmaster Flash s grupom The Furious 5 i počela se lagano stvarati scena. Treba naglasiti da je tada još rap glazba bila prostorno ograničena: snimali su je i slušali samo Crnci u New Yorku, a glazbeni kritičari ju nisu priznavali kao glazbeni pravac koji će uspjeti. Rap se snimao prvenstveno za brejkanje, bila je to tada vrlo brza elektronska glazba u kojoj je glavnu ulogu imao ritam. Danas se taj stil naziva old school. Veliki pomak napravio je Grandmaster Flash, koji je 1983. g. snimio stvar "The Message", koja je bila kritika društva i davala jasnu poruku. Tada su rapperi shvatili da je ova glazba savršena za prijenos poruka i da rime mogu imati važnu ulogu.U to vrijeme pojavila se još jedna vrlo važna grupa za povijest hip-hopa: Run DMC, koji su zapravo postavili trend i približili rap široj publici, pogotovo nakon njihove suradnje s tada poznatom heavy metal grupom Aerosmith u pjesmi "Walk This Way". Pojavila se i prva diskografska kuća zainteresirana prvenstveno za izdavanje rap albuma: Def Jam. Za njih su snimali Run DMC i LL Cool J, a korak dalje značio je prvi album jedne bijelačke rap grupe Beastie Boys, koji su kombinirali ritam mašine i sampliranje sa živom svirkom i sirovim rapom. "Licensed to Ill" iz 1987. bio je na prvom mjestu američke top-liste, prvenstveno zbog hitova "Fight For Your Right (to Party)" i "No Sleep till Brooklyn". Uglavnom, Beastie Boys su srušili mnoge rasne predrasude o Hip-Hopu kao isključivo crnačkome stilu.Sredinom 80-ih godina lagano se počela stvarati scena i na zapadnoj obali SAD-a, u LA-u. Tamo je među prvim poznatijim rapperima bio Too $hort, koji je do danas snimio već preko 15 albuma (sam Bog zna točan broj), ali glavnu riječ u LA-u krajem 80-ih vodio je naravno Ice-T, koji se tada jedini mogao mjeriti sa suparnicima s istočne obale. Njegovi albumi "Power" i "Iceberg" značili su uvod u gangsta rap maniju, o kojoj ćete više saznati u drugom dijelu.Sad se vraćamo u New York, jer kraj 80-ih je zlatno doba rap glazbe. Nastaju mnoge legendarne i kvalitetne grupe: BDP, Eric B. & Rakim, Gang Starr, a neki od njih su i danas vodeće face u svijetu Hip-Hopa. Međutim, ono najrevolucionarnije u povijesti ovog glazbenog pravca dogodilo se 1988. godine: drugi album grupe Public Enemy, pod nazivom "It Takes a Nation of Millions to Hold Us Back". Radi se o radikalnom načinu borbe za rasnu jednakost na svim poljima, i to na vrlo efektivan način: podloge žestoke i pune energije, tekstovi direktni, inteligentni i s jasnom porukom. Kritika ih je odmah dočekala na nož: po časopisima su ih ocjenjivali kao Crne rasiste koje treba zakonom zabraniti za dobrobit društva, a spominjali su ih često i u politickim debatama. No to je u biti ispala dobra reklama za PE, jer grupa je ubrzo postala svjetski poznata. Iako gotovo nijedna radio niti TV stanica nije baš rado vrtila njihove stvari u eteru, album se jako dobro prodao i paradoksno je to što su upravo Public Enemy, radikalni borci za prava Crnaca u Americi, postali prva rap grupa široko prihvaćena i u Europi.Kad su snimili treći album "Fear of a Black Planet" 1990. (na njemu se nalaze hitovi "911 Is a Joke", "Brothers Gonna Work It Out" i "Anti-Nigger Machine"), album je otišao platinasto (čitaj: prodao se u milijun primjeraka) samo 2 tjedna nakon izlaska. To je značilo da rap postaje glazbeni pravac na koji će se u budućnosti morati računati. |
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Prvo moramo razjasniti neke pojmove, kao što su Hip-Hop, rap, MC i sl, jer to su riječi koje se danas jako često i olako koriste, a da većina ipak ne razumije njihovo pravo značenje. Najkraće rečeno, Hip-Hop je kultura, način izražavanja, za mnoge čak i način života, a rap je samo glazbeni pravac koji podržava Hip-Hop kulturu, zato nitko ne griješi kada rap glazbu nazove "hip-hop". Ali uvijek moramo biti svjesni da je Hip-Hop puno više od same glazbe. Dakle, Hip-Hop je kultura koja se manifestira kroz 4 osnovnaelementa: - MC-ing: MC = Master of Ceremony ili Microphone Controller (hr. gospodar ceremonije ili onaj koji "kontrolira" mikrofon). To je osoba koja sama sebi smišlja rime i ideje za svoje pjesme i freestyle-ove (freestyle = bacanje rima na mjestu, ravno iz glave). Moram naglasiti da je u svim područjima Hip-Hopa najvažnija ideja i originalnost, rapperi ne vole one koji kradu ili kopiraju tuđe ideje. Pravi MC mora biti u stanju svojim verbalnim vještinama podizati atmosferu na koncertima i partyjima uživo. - turntable-ism (još se kaže i DJ-ing): U Hip-Hopu, DJ je osoba koja kontrolira gramofone. On "okreće" ploče naprijed-nazad (tzv. "scratch") i tako raspolaže vještinama kako spojiti različite podloge u jednu i tako skupa s MC-jem podignuti atmosferu. Nekad se nije mogao zamisliti MC bez pratećeg mu DJ-a. - graffiti: to je vizualni element ove kulture. U početku su grafiti bili smatrani vandalizmom, danas je to vrlo cijenjena umjetnost. Ljudi koji crtaju grafite zovu se writeri. U grafitima je, kao i u ostalim elementima Hip-Hopa, najvažnija originalnost. Svaki writer ce za svoje piece-eve, bombe i taggove vaditi ideje iz svoje glave. - B-Boying (još se kaže i breakdance): Vjerujem da svi manje-više znate što je breakdance. Ulični ples koji često iziskuje i akrobatske vještine. Ljudi koji "brejkaju" zovu se B-Boys & B-Girls (kod nas "brejkeri"). Svaki od spomenutih elemenata je subkultura za sebe koja ima svoja pravila i svoj slang, a zajedno čine Hip-Hop kulturu. Neki izrazi, kao što su "freestyle" i "contest", "battle", upotrebljavaju se u sva 4 elementa. |
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Svima nama dobro poznati nažalost pokojni Tupac Shakur (originalno iz New Yorka, ali zadnji dio života proveo na zapadnoj obali pljuckajući po NY-u), bio je vrlo talentirani rapper karizmatične osobnosti i sposoban liričar. Prvi album 2pacalypse Now je snimio 1991, a dvije godine kasnije slijedi još jedan underground uradak pod nazivom "Strictly 4 My N.I.G.G.A.Z", ali nakon trećeg albuma se vidjelo da je pred 2 Pacom blistava karijera.Bilo je to 1995. g. Čim je završio snimanje albuma "Me Against the World", 2 Pac je morao u zatvor zbog navodnog seksualnog zlostavljanja. Prethodno je na njega izvršen pokušaj ubojstva, pretrpio je četiri metka u tijelo i preživio. I to je bio tek prvi put. Sve se događalo u New Yorku, a budući da nije mogao saznati tko je točno pucao, Pac je optužio skoro cijelu newyorsku scenu. Uglavnom to i još odlazak u zatvor samo su pomogli prodaji albuma koji je bio stvarno preokret ne samo za 2 Paca, nego je utjecao na još mnoge kasnije. Album je čak 4 tjedna bio broj 1 na američkoj top-listi, prvenstveno zbog emotivno nabijene laganice "Dear Mama", a slijedili su singlovi "Temptations" i "So Many Tearz". Kad je izašao iz zatvora, odjednom je bio svjetski poznata zvijezda, bahat i nabrijan na puno poznatih imena sa scene. Potpisao je za Suge Knightovu izdavačku kucu Death Row, koja je tada još uvijek bila na samom vrhu, vodeću riječ je imao Dre, a oni su prethodno proslavili Snoop Dogga pa se nije moglo ni zamisliti što će tek biti od već poznatog 2 Paca. Ubrzo je izašao njegov četvrti album (dvostruki) "All Eyez on Me" (1996), na kojem se nalazi onaj hit "California Love" (feat. Dr.Dre), pjesma koja ga je proslavila ne samo su Americi, nego i u ostatku svijeta, a slijedili su singlovi "How Do U Want It" i "I Ain't Mad at 'Cha". U to vrijeme Pacov prijatelj The Notorious B.I.G. a.k.a. Biggie Smalls iz New Yorka se također probijao. On je snimao za Puff Daddyjevu (današnji P.Diddy) izdavačku kuću Bad Boy i već s prvim albumom Ready to Die (1994, singlovi "Juicy", "Big Poppa" i "One More Chance") ostvario veliki uspjeh, pogotovo jer su njegovi spotovi bili vrlo rado vrćeni na MTV-ju. Kako su 2 Pac i Biggie bili sve popularniji, tako su i postali međusobni rivali i ubrzo su od prijatelja postali najgori neprijatelji. Jedan drugoga su optuživali za "kupljenje fora i krađu stila", a Pac je ovoga čak okrivio da je odgovoran za pucanje 1994. Pac je to sve u pjesmama jasno rekao, čak javno prijetio smrću Biggieju, Puff Daddyju te mladim newyorskim izvođačima Junior M.A.F.I.A. i Mobb Deep (to se najjasnije vidi u komercijalnoj pjesmi "Hit 'Em Up" (feat. Outlawz), za koju je snimljen i videospot), a najadekvatnije su mu odgovorili mladi kraljevi newyorškog undergrounda Mobb Deep u pjesmi "Drop a Gem on 'Em" (album "Hell on Earth" 1997.). I tako, počela su prepucavanja preko pjesama, opasne prijetnje i jako grube riječi s obje strane i u to se umiješalo puno izvođača te je "beef" (u americkom hip-hop slangu izraz za sukob) dobio vrlo široke razmjere, to je postala borba stilova između L.A.-a i NYC-a. Ubrzo je postalo jasno da stvari izmiču kontroli. Tupac Shakur je u rujnu 1996. godine na vrhuncu glazbene i glumačke karijere ubijen, nakon pucnjave u Las Vegasu (noc kada je tamo tadašnji prvak u boksu Mike Tyson nokautirao Seldona nakon par sekundi meča). 2 Pacov ubojica nikad nije pronađen. Brojni fanovi širom svijeta počeli su masovno širiti teorije o tome kako je njihov idol još uvijek živ, čak su pružali razne dokaze za svoje tvrdnje, a čak i dan-danas, svake godine izađe bar jedan novi 2 Pacov album. Jasno je da je to njegova ostavština koju je snimio za života, ali nije htio odmah objaviti, ali to je dokaz koliko je bio produktivan.Nakon tog događaja koji je potresao hip-hop svijet, ali i cijelu glazbenu industriju, gotovo da više nije bilo poznatog rappera koji ne izlazi van iz kuće bez tjelohranitelja, blindiranih kola ili policijske pratnje. Pacovom nekadašnjem prijatelju, a sada glavnom neprijatelju, spomenutom Biggieju, nije pomogla niti policijska zaštita kada je došao u L.A. na neku dodijelu nagrada. Bilo je to u travnju 1997. godine, nepoznate osobe izrešetale su automobil u kojemu se vozio i tako je otišao još jedan veliki rapper, The Notorious B.I.G. (pravim imenom Christopher Wallace). Ubrzo nakon Biggiejeve smrti, Bad Boy izdaje njegov dvostruki album (drugi po redu), pod nazivom "Life after Death". Album je bio veliki hit s obe strane bare (pamtimo ga po hitovima "Hypnotize" i "Mo' Money, Mo' Problemz", ali ima gore još puno boljih stvari). Prava je šteta što Biggie nije doživio da uživa u plodovima svog rada, a na njegovoj tragediji čini se da je najviše profitirao Puff Daddy, koji je čak snimio onu ljigavu stvar "I'll Be Missing You" i posvetio ju Biggieju, a u pjesmi gostuje Biggiejeva supruga Faith Evans, za koju se Tupac hvalio da ju je svojevremeno ševio. I tako, dok je cijela scena pala u emotivnu krizu zbog velikih tragedija, neki su ljudi od svega toga uspjeli napraviti cirkus.U svakom slucaju, da su stvari bile drugačije (i da je drukčiji mentalitet u igri), Biggie i Pac bi danas bili vjerojatno i popularniji od jednog Eminema ili 50 Centa. Obojica su bili talentirani i puno su obećavali. Da su oni živi, danas bi hip-hop možda bio bogatiji, možda čak i drugačiji. Šteta, nikad nećemo znati. |
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Iz zloglasne četvrti New York-a (Queens), dolaze nam Mobb Deep. Reputaciju crnih agresivaca i dalje brižljivo njeguju, postavljajući standarde glazbi nastaloj na rubnim djelovima grada. Prodigy i Havoc agresivno odgovaraju na upit o nepoštivanju sebe samog kao osobe: "To sranje koje su mi drugi navukli nije mi naškodilo -ne znate me crnčuge, no moramo promijeniti to sranje, ja ću završiti to sranje do kraja". Grupa je također započela osobni obračun s nekim poznatim rapperima prozivajući neke da su homoseksualci želja za prolijevanjem krvi potvrđena je i u pjesmi "Killa that nigga" prepunoj agresivnosti i rasističke mržnje.Od 1993 i njihovog prvijenca "Juvenile Hell", znači već više od desetljeća, Mobb Deep, tj. Havoc i Prodigy, spadaju u sam vrh, Hip Hop scene, a ovim, ukupno šesti, službeni, studijski albumom to i potvrđuju... Iako im ovaj album sigurno nije najbolji u njihovoj karijeri ("The Infamous" i "Hell On Earth" teško da će više nadmašiti), ali i dalje ne podilaze publici, tekstovi su im i dalje sirovi a beatovi maštoviti i prepoznatljivi...Uz obavezna gostovanja raznoraznih kolega (od kojih su neke suradnje manje uspjele), ovaj album sigurno predstavlja jedan od vrhunaca ovogodišnje HipHop produkcije. "Got it twisted", "Win or Lose", "One of ours part2" i pogotovo "Throw your hands" koja je nastala u suradnji sa Superproducerom Kanye West, koja je obogaćena violinama ali nije sladunjava kako bismo mogli strahovati po imenu producenta već se perfektno uklapa u ostatak materijala na ovom odličnom albumu. |
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1986 - 1991 Kalifornija, SAD N.W.A. je grupa koja je obilježila rap glazbu s kraja 80-ih i oblikovala nove naraštaje glazbenika koji će kasnije vladati hip-hop scenom. Pojavili su se kao konkurencija hard core rap grupi Public Enemy i za razliku od njihovih socijalno osvještenih poruka ponudili slavlje i promociju hedonističkog načina života (najčešće kriminalnog). To se uz njihov funk prizvuk pokazalo kao dobitna kombinacija, jer su njihovi albumi N.W.A. and the Posse i Straight Outta Compton postali veliki hitovi, prvi samo kod underground publike, no drugi se, unatoč ignorancije medija, uspio probiti do širokih masa publike i postaviti nove standarde u glazbenom svijetu. Okosnicu grupe su sačinjavala tri člana: Ice Cube, Eazy-E i Dr. Dre., a zatim DJ Yella, the Arabian Prince , the D.O.C. i MC Ren. Nakon uspjeha odmah je uslijedio blagi pad kada je Ice Cube 1989 godine napustio grupu zbog nekih razmirica financijske prirode. Odmah nakon odlaska uslijedila su medijska prepucavanja između Icea i ostatka grupe, rezultirajući Iceovom pjesmom "No Vaseline", koja je bila očiti napad na vodstvo grupe. Nakon njegova odlaska, grupa je snimila 100 Miles and Runnin' i Efil4zaggin ("Niggaz 4 Life") koji su se s više humora i parodije osvrtali na istu problematiku. Unatoč činjenici da se nalaze na samom vrhuncu slave, grupi smrtni udarac zadaje Dr.Dre, napustivši grupu 1992 godine. Dr.Dre je nakon odlaska osnovao izdavačku kuću Death Row Records i pokrenuo vrlo uspješnu samostalnu karijeru kao pjevač, kantautor i producent. Yella i MC Ren su također otišli u solo vode, no svi pokušaji da se profiliraju kao uspješni izvođači prošli su neuspješno. U nekoliko sljedećih godina Dre i Eazy su se često medijski sukobljavali, no Dre i Ice Cube pomirili su se s Eazyem neposredno prije Eazyeve smrti od AIDS-a 1995 godine. |
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Artist: 2Pac Album: Me Against the World Song: Dear Mama Verse One: 2Pac When I was young me and my mama had beef Seventeen years old kicked out on the streets Though back at the time, I never thought I'd see her face Ain't a woman alive that could take my mama's place Suspended from school; and scared to go home, I was a fool with the big boys, breakin all the rules I shed tears with my baby sister Over the years we was poorer than the other little kids And even though we had different daddy's, the same drama When things went wrong we'd blame mama I reminice on the stress I caused, it was hell Huggin on my mama from a jail cell And who'd think in elementary? Heeey! I see the penitentiary, one day And runnin from the police, that's right Mama catch me, put a whoopin to my backside And even as a crack fiend, mama You always was a black queen, mama I finally understand for a woman it ain't easy tryin to raise a man You always was committed A poor single mother on welfare, tell me how ya did it There's no way I can pay you back But the plan is to show you that I understand You are appreciated Chorus: Reggie Green & "Sweet Franklin" w/ 2Pac * Lady... Don't cha know we love ya? Sweet lady Dear mama Place no one above ya, sweet lady You are appreciated Don't cha know we love ya? * second and third chorus, "And dear mama" instead of "Dear mama" Verse Two: 2Pac Now ain't nobody tell us it was fair No love from my daddy cause the coward wasn't there He passed away and I didn't cry, cause my anger wouldn't let me feel for a stranger They say I'm wrong and I'm heartless, but all along I was lookin for a father he was gone I hung around with the Thugs, and even though they sold drugs They showed a young brother love I moved out and started really hangin I needed money of my own so I started slangin I ain't guilty cause, even though I sell rocks It feels good puttin money in your mailbox I love payin rent when the rent's due I hope ya got the diamond necklace that I sent to you Cause when I was low you was there for me And never left me alone because you cared for me And I could see you comin home after work late You're in the kitchen tryin to fix us a hot plate Ya just workin with the scraps you was given And mama made miracles every Thanksgivin But now the road got rough, you're alone You're tryin to raise two bad kids on your own And there's no way I can pay you back But my plan is to show you that I understand You are appreciated Chorus Verse Three: 2Pac Pour out some liquor and I reminsce, cause through the drama I can always depend on my mama And when it seems that I'm hopeless You say the words that can get me back in focus When I was sick as a little kid To keep me happy there's no limit to the things you did And all my childhood memories Are full of all the sweet things you did for me And even though I act craaazy I gotta thank the Lord that you made me There are no words that can express how I feel You never kept a secret, always stayed real And I appreciate, how you raised me And all the extra love that you gave me I wish I could take the pain away If you can make it through the night there's a brighter day Everything will be alright if ya hold on It's a struggle everyday, gotta roll on And there's no way I can pay you back But my plan is to show you that I understand You are appreciated Chorus Sweet lady And dear mama Dear mama Lady (3X) |
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Artist: 2Pac f/ Outlawz Album: Better Dayz (Disc Two) Song: They Don't Give a Fuck About Us [Intro] Y'all aint never just dreamt and pictured Just looked at the whole situation Cause once you look at it You know They don't give a fuck about us They don't give a fuck about us They don't give a fuck about us [Chorus] If I choose to ride Thuggin' till the day I die Nobody gives a fuck about us But when I start to rise A hero in they children's eyes Now they give a fuck about us [Verse One] Some say niggaz is hardheaded cause we love to trick Equipped with game so we bang with this thuggin' shit I see ya try to hide hoping that nobody don't notice You must always remember your still a member of the hopeless See you're black like me So you snap like me When these devils try to plot Trap our young black seeds, look it Cops is as crooked as the niggaz they chasing Looking for role models Are father figures is basis Some say expect illuminati Take my body to sleep Niggaz at the party with they shotties just as rowdy as me Before I fix computer chips I gotta deal with brothers flipping I don't see no devils bleeding only black blood dripping We can change which a mouths say I'm watching niggaz work they lives out without pay Whatever it takes to switch places with the bustas on top I'm busting shots make the world stop They don't give a fuck about us [Chorus] Now if I choose to ride Thuggin' till the day I die Cause they don't give a fuck about us But when I start to rise A hero in they children's eyes Now they give a fuck about us If I choose to ride Thuggin' till the day I die Nobody gives a fuck about us But when I start to rise A hero in they children's eyes Now they give a fuck about us [Verse Two] It's the morning after and all of our laughter is gone Time to reflect on what you did cause they saying you wrong I'm sure you had your reasons, dog I don't doubt you See the simple fact of the matters they don't give a fuck about you All them five mouths you forced to feed Not including yourself All you want is wealth they precede it as greed So as you loaded up that mac you continue to bust The mob was on paper thinking they don't give a fuck about us I'm seeing it clearer Painting a picture in the mirror They claim we inferior So why the fuck these devils fear ya I'm watching my nation die Genocide and cause Expect a bloodbath The aftermath is yours I told you last album We need help cause we dying Give us a chance Help us advance cause we trying Ignore my whole plea Watching us in disgust And then they beg when my guns bust They don't give a fuck about us [Chorus] Now if I choose to ride Thuggin' till the day I die Nobody gives a fuck about us But when I start to rise A hero in they children's eyes Now they give a fuck about us If I choose to ride Thuggin' till the day I die Nobody gives a fuck about us But when I start to rise A hero in they children's eyes Now they give a fuck about us [Verse Three] Now all the homies got love for me Down to catch a slug for me Guarantee to bleed deeply Now that's love Shit, nobody else would give a fuck if I'm tow down From the floor down 6 feet deep bended cut What the fuck done went wrong How long will I be mourned When I'm gone same song And give a fuck all along And who am I to blame ‘em Just doing die through the rain Since they don't give a fuck I don't Feel what I'm saying Now thug niggaz die but multiply in doubles Wrapped in plastic Or closed casket For our troubles Present times we busted like bubbles With the police this nation's beasts sent here to run you Now look at what this crooked world has come to I grew up on the other side of perfect A life of hurting messed a hustle whistle die uncertain So I stay up until I'm working I see no reason so I sleep All these seeds in the season Why you stuck thinking that they give a fuck You tell me that my world is in peace Well nigga you're lying Cause half of my niggaz long gone Buried in the dirt just for trying Sometimes I think my block is dying And that it's awful To wake up to another day Shit aint changed that's awful I wake up sweating, dreaming, coughing Seeing me upside down back was head Twisted while I'm laying in the coffin The shit comes around so often So tell me something Before I take it out on the world And get the dumping Nigga I'll be so for bang go through the struggle I'm doing the same thing you did at my age in as hustling On the edge of straight busting What's this you don't give a fuck and you fronting? I'm a drink my Hennessey Like it aint nothing [Chorus: 2X] Now if I choose to ride Thuggin' till the day I die They don't give a fuck about us The problem kicking rhymes Getting it to they children's minds Now they give a fuck about us They wanna see us die They kick us every time we try Cause they don't give about us To while I'm getting high I'm watching as the world goes by Cause they don't give a fuck about us [Over Chorus] If I choose to ride Thug till I die While I'm kicking rhymes Getting it into they children's minds Now they give a fuck about us They wanna see us die Every time we try Cause they don't give a fuck about us Me and my niggaz get high Watching the world go by Cause they don't give a fuck about us Rise, Riiiiise |
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Artist: 2Pac Album: Loyal to the Game Song: Ghetto Gospel [2Pac] Uhh.. hit 'em with a little ghetto gospel [Chorus: samples from "Indian Sunset" by Elton John] Those who wiiiiish to follow me (my ghetto gospel) I welcome with my haaaaaaaaaands And the red sun sinks at last, into the hills of gold And peace to this young warrior, without the sound of guns [Verse One] If I could recollect a-from my hood days I sit and reminisce, thinkin of bliss on the good days I stop and stare at the younger, my heart goes to 'em They tested with stress that they under And nowadays things change Everyone's ashamed of the youth cause the truth look, strange And for me it's a first We left 'em a world that's cursed, and it - hurts Cause any day they'll push the button And all come in like Malcolm X or Bobby Hutton died for nuttin Don't it make you get teary, the world looks dreary When you wipe yo' eyes see it clearly There's no need for you to FEAR me If you take your time and HEAR me, maybe you can learn to CHEER me It ain't about black or white cause we human I hope we see the light before it's ruined, my ghetto gospel [Chorus] [Verse Two] Tell me do you see that old lady, ain't it sad Livin out of bags, plus is glad for the little things she, has And over there there's a lady, crack got her crazy Guess who's givin birth to a, baby? I don't trip and let it fade me From out of the fryin pan, we jump into another form of slavery Even now I get discouraged Wonder if they take it all back, will I still keep the - courage? I refuse to be a role model I set goals, take control, drink out my own bottles I made mistakes, but learned from every one And when it's said and done, I bet there's got to be a better one If I upset you don't stress, never forget That God is up in this with me yet I feel his hand on my brain When I write rhymes I go blind and let the Lord do his, thang But am I less holy? Cause I chose to puff a blunt, and drink a beer with my homies Before we find world peace We gotta find peace within the war in the streets, my ghetto gospel [Chorus] [2Pac] Lord can you hear me speak? .. The pain and strife of bein hellbound |
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Ako imate želju za to da stavimo riječi pjesmi od neke pjesme koje želite recite |
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50 Cent je hodajuća bomba, i to ne ona koja završava nego otpočinje rat. Već nekoliko godina otkako je zakoračio u svoje dvadesete preživio je ovaj njujorški reper probadanja, atentate, prijetnje, hapšenje, a navodno se izmaknuo i pred metkom koji je završio u tuđoj glavi. A sad je, na početku nečega što bi mogao biti rat u hip-hop svijetu u kojem je on jedna od glavnih meta, objavio prvi major label album, komercijalno najuspješniji debi album u povijesti. Prije nego što je lani potpisao ugovor na milijun dolara za Eminemovu etiketu Shady Records, 50 Cent je imao tri snimljena albuma i životno iskustvo koje možete poželjeti neprijatelju - majka mu je umrla kad je imao 8 godina, odgajali su ga baka i djed (i na tome im je zahvalan) a preživljavao je od preprodaje droge zbog koje je gledao i rešetke s krive strane. Tada se još zvao Curtis Jackson, a kada je postajao primjećeniji na hip-hop sceni pojavili su se novi problemi - proboden je nožem, da bi navodno zbog stare pjesme 'How To Rob' skoro bio ubijen - upucan je u nogu, ruku i lice (pa sad ima rupu u zubima zbog koje mu je promijenjen govor!?!). Kad je jesenas ubijen Jam Master Jay policija je sklonila 50 Centa jer je taj metak bio navodno namijenjen upravo njemu. Pa i da je to bio kraj ubijanju u hip-hop svijetu žrtva bi bila prevelika, ali izgleda da se tek zahuktava bitka između hip-hop tabora (Istok-Zapad, Def Jam-Murder Inc.), a i policija je zadnjih mjeseci zainteresirana za hip-hop svijet (ne zbog dobre glazbe), dok se često u ovim pričama pojavljuje ime našeg ovotjednog heroja. Ali zato ga sada štite dva najmoćnija kreativca u hip-hopu - Dr. Dre i Eminem. Ali budući da njihova protekcija nije premoćna, 50 Cent se uokolo vozika u blindiranom auto otpornom na metke i bombe, a omiljena majica mu je pancirni prsluk. |
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Trebaju nam dobri beatovi. Javite se na mail banijaconnection@net.hr Stari mail westcoast@net.hr više nije u upotrebi... Peace |
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Svi raperi koji slažu rime neka se jave.Bilo bi zanimljivo da zajedno napišemo i otpjevamo jednu pjesmu svi zajedno |
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